This artwork explores the essence of Vietnamese culture through intricate patterns, highlighting solitude and the deification of oneself within the Buddha religion. Traditional symbols like the stork and dragon seamlessly blend with elements of vegetation, reflecting the rich heritage of Vietnamese sculptures. The incorporation of black and white cloud motifs and sculptural elements evokes the nation's flower, the Lotus, in a unique altar layout. The portrayal of a trapped woman, juxtaposed with a blooming lotus, symbolizes the circle of life — a self-generating and self-destructing journey. The narrative delves into the complex interplay of self-abandonment as a form of self-worship, addressing the desire for escape, loneliness, and the pursuit of inner strength. For this exhibition, the artwork invites contemplation on the multifaceted aspects of identity, considering factors such as ethnicity, race, religion, language, culture, and personal experiences that shape individual perceptions. The artist explores how decision-making, political and religious affiliations, social connections, and fashion choices contribute to the intricate tapestry of identity, inviting viewers to ponder how art enhances our understanding of both the world and ourselves.

